WORLD THEATRE I
California State University, Dominguez Hills William
R. DeLuca, Theatre Arts
Fall Semester 2003: M,W 10:00-11:45 AM Email:BDeLuca@csudh.edu
Section: THE 355-01 Homepage:
www.csudh.edu/bdeluca/
Room: SBS
E220 Office:
LCH E311 (310 - 243 - 2400)
Units: 3 Hours:
MW 12-1; TTh 11:30-1;
TEXT:
Wilson,
Edwin, and Alvin Goldfarb. Living
Theatre. 3rd edition.
Boston: McGraw Hill
Publishing Company, 2000.
Lorraine
Hansberry. A Raisin in the Sun.
OBJECTIVES & OUTCOMES:
This
course enables students to discover the major theatrical achievements of
Eastern and Western civilization and helps them to develop an appreciation for
the creative impulse that shapes human value systems. Students in World History I gain an understanding of the
plays, physical theatres, actors, producer-directors, and production styles
that contributed to the development of theatre from its ritual origins to the
16th century.
In addition to the analysis,
communication and critical thinking skills acquired from lectures, in-class
reports, reading assignments, discussions and cooperative group work, students
will employ various in-class writing techniques and research writing exercises
to help them interpret, evaluate, and explain the cultural significance of
theatre. Upon completion of
this course and assessed by their papers, presentations, and exams, students
will have demonstrated improved organizing, researching, writing, and speaking
skills.
NOTE:
Students are advised to refer to Page 14 of the University Catalogue for
our policy on Academic Integrity.
All forms of cheating or plagiarism are unacceptable in regard to the
intended objectives of this course, and should be avoided.
REQUIREMENTS:
1.
ATTENDANCE AND LATENESS:
Students are expected to attend every class on time and contact the
instructor prior to class should conflicts arise. Repeated lateness and/or three absences or more will lower
grades.
2.
PARTICIPATION: Students are
expected to possess an active curiosity and an informed expression about the
ideas, events, and people that make up the theatre history of each era. Cooperative learning groups, panels,
and in-class discussions provide students opportunities to compare and contrast
historical trends, and synthesize their analyses of drama literature with
theatre history research.
3. DISCUSSION BOARD: Students are responsible for participating in online
exercises within Blackboard, a campus network that supplies web sites for CSUDH
classes. The Discussion Board is designed to promote student reflection,
discussion, and writing skills in three areas:
CHAPTER QUESTIONS - For four selected chapters,
students post one discussion-based question based on their reading of the
chapter.
CHAPTER RESPONSES - For the same chapters, students
write a one paragraph reply to another student's posted question.
OUTLINE IDENTIFICATIONS - For four identification
items on the class outlines, students post a short description which will serve
the class as a review for both the Mid-term and Final exams.
Students
need to consult the Writing Guidelines (posted on the Blackboard site) for
complete directions on each writing assignment.
4. PANEL: Students use classroom sessions to
analyze and prepare a discussion of A Raisin in the Sun. Panels are intended to help students
work collaboratively to develop a focused presentation on the characters, plot,
language and themes of a play.
5.
RESEARCH PAPER: Students
are required to complete both a rough draft and a final 7 to 10 page research
assignment. Grades for these
papers are determined by the student's adherence to deadlines (20% off for late
assignments), thoroughness of research, writing ability, and clarity of logic. See the Writing Guidelines.
6.
RESEARCH PRESENTATION:
Students are required to present a ten-minute research presentation,
along with outline of the speech (purpose and main points) and a
bibliography. Grades for this
research project are determined by the student's adherence to deadlines,
thoroughness of research, speaking ability, and clarity of logic. See the Guidelines for complete
directions.
7.
EXAMS: Two exams (Mid-Term
and Final) are used to assess the student's familiarity with material from the
course readings. Both exams
involve identifications and essays.
FINAL EXAM: Wednesday, December 8, 10:00 AM 12:00 PM.
GRADE DISTRIBUTION:
Participation: 40%
Attendance 29
points
Chapter
Questions (4 at 2 points
each) 8
Chapter
Responses (4 at 4 points each) 16
Outline
Identifications (4 at 3 points each) 12
Panel 15
Research
Paper: 35%
First
Draft 15
Final
Draft 35
Presentation 20
Exams: 25%
Mid-Term
Exam 20
Final
Exam 30
100% 200
points
CRITERIA
FOR GRADE OF ³A²
Keeping
in mind that the grade of ³A² is often associated with ³outstanding² or
³superior² work, to obtain an ³A² in this course you must not only meet the
minimum criteria delineated in the course requirements, but also accomplish
each of the following three objectives:
1) Have perfect attendance and punctuality, hand
in assignments on time, speak often and participate openly in class activities.
2) Show a clear understanding of text material by
knowing outline items and developing well thought-out writings on exam
questions.
3) Compose well-written papers that reveal strong
organization, logical progression, meaningful paragraphing, independent
thought, engagement with the topic, and readable, unambiguous sentences that
are virtually free of errors in grammar, usage, spelling, or mechanics.
SUGGESTED READING MATERIALS:
George
Atman, et al Theatre
Pictorial
Oscar
Brocket History
of the Theatre, 6th ed.
Bamber
Gasgoine A
History of the Theatre
Phyllis
Hartnoll A
Concise History of the Theatre
The
Oxford Companion to the Theatre
Paul
Kuritz The
Making of Theatre History
Alois
Nagler Sources
of Theatrical History
Allarydice
Nicoll World
Drama
Vera
Mowry Roberts On
Stage
DAILY SCHE DULE:
Mon Aug 25 Introduction
(Syllabus - Outlines, etc.)
Weds Aug 27 Ritual
and Theatre (Read Intro Chapter)
Outline
#1 - Identifications #1 to 5 Due on Discussion Board
Mon Sep 1 No
Class - Labor Day
Weds Sep 3 Introduction
to Greece (Read Chapter 1)
Chapter
1 Questions, Responses, and Outline #1 IDs 6-20 Due
Mon Sep 8 Greek
Tragedy and Comedy
Weds Sep 10 Greek
Theatre Architecture (First round of topics due)
Mon Sep 15 Introduction
to Rome (Read Chapter 2)
Outline
#2 - Identifications #1 to 8 Due
Weds Sep
17 Roman
Drama
Mon Sep 22 Medieval
Theatre (Read Chapter 3)
Chapter
3 Questions, Responses, and Outline #2 IDs 9-20 Due
Weds Sep 24 Medieval
Secular Forms (Second round of topics due)
Mon Sep 29 Review
for Mid Term
Weds Oct
1 Mid-Term
Exam (Chapters Intro, 1, 2, and
3)
Mon Oct 6 Early
Asian Theatre (Read Chapter 4)
Outline
#3 - Identifications #1 to 8 Due
Weds Oct 8 Italian
Renaissance (Read Chapter 5)
Chapter
5 Questions, Responses, and Outline #3 IDs 9-20 Due
Mon Oct 13 The
Neoclassical Ideal
Weds Oct 15 Research
Paper Workshop (Present Outline for Research Paper)
Mon Oct 20 The
English Renaissance (Read Chapter 6)
Chapter
6 Questions, Responses, and Outline #4 IDs 1-12 Due
Weds Oct
22 Elizabethan
Drama
Mon Oct 27 Shakespeare
Weds Oct 29 Read
A Raisin in the Sun by Lorraine Hansberry
Mon Nov 3 Discussion
of Raisin (First Draft
of Paper Due)
Weds Nov 5 Panel
work on Raisin
Mon Nov 10 Panel
work on Raisin
Weds Nov 12 Panel
Presentation on Raisin
Mon Nov 17 The
Golden Age of Spain (Read Chapter 7)
Outline
#4 - Identifications #13-20 Due
Weds Nov 19 Spanish
Playwrights
Mon Nov 24 Research
Presentations (Final Draft of Paper Due)
Weds Nov 26 Research
Presentations
Mon Dec 1 Research
Presentations
Weds Dec 3 Evaluations
Mon Dec 8 Final
Exam (Chapters 4, 5, 6 &7)
The schedule and procedures in this
course are subject to change in the event of extenuating circumstances.