COURSE OVERVIEW & OBJECTIVES
Students will learn the theory and practice of writing for the
stage by using a step by step, systematic approach that involves
weekly writing assignments. In these exercises, students explore
the creation of setting, development of characters, working with conflict,
putting together a scenario, and writing a scene. The main requirement
of the course is the writing of a one-act play.
The purpose of the class is to combine a disciplined system of
writing with a collaborative approach to the development of communication
and critical thinking skills. Playwriting is language on its feet;
thus, all written assignments will be read and discussed with the class.
Students are expected to learn how to solicit criticism from others and
offer it in a constructive, positive, and supportive manner.
Prerequisites: No previous class or writing experience
is necessary.
REQUIREMENTS:
1. ATTENDANCE AND LATENESS: Students are expected to attend every class on time and contact the instructor prior to class should conflicts arise. Repeated lateness, as well as absences, will lower grades.
2. WRITING ASSIGNMENTS: Nine written assignments constitute the major requirement of this course. Half of the assignments exercise the fundamental skills of playwriting; the final assignments help students develop a 25 page one-act play. Late assignments are accepted but lose 20% of the grade.
3. MECHANICS: All assignments MUST BE TYPED in pica or elite type, on 8 & 1/2 x 11 white bond. Follow the standard format for playscript margins: top and bottom - 1 & 1/4 inches; left margin - 1 & 1/2 inches; right margin - one inch. Dialogue and stage directions are single spaced with double spacing between each, and between alternate lines. Character names are always capitalized and centered when speaking. Dialogue is typed from left margin to right margin but stage directions are placed within parentheses and indented. (See example attached)
4. GRADES: Final grades will reflect the student's ability
to meet deadlines, complete writing assignments with thoroughness and imagination,
incorporate lessons into practice, participate openly in class by thoughtful
commentary and active listening, and develop a play which includes believable
and interesting human behavior. The one-act play is graded primarily
on how well the student integrated lessons from the previous written assignments.
Total 200 points 100%
CRITERIA FOR GRADE OF ìAî
Keeping in mind that the grade of ìAî is often associated with ìoutstandingî or ìsuperiorî work, to obtain an ìAî in this course you must not only meet the minimum criteria delineated in the course requirements, but also accomplish each of the following three objectives:
1) Have perfect attendance and punctuality, speak often in class, and
participate openly in drama activities.
2) Compose well-written typed exercises and hand them in on the
day assigned.
3) Create a 25 page play that reveals strong organization, dramatic
tension, meaningful action, independent thought, interesting characters,
and readable, unambiguous dialogue that reflects character and interaction.
SUGGESTED READINGS:
Eric Bentley The Playwright as Thinker
John Brady The Craft of the Screenwriter
Lajos Egri The Art of Dramatic Writing
The Art of Creative Writing
Syd Field Screenwriting
Bernard Grebanier Playwriting
Milt Josephsberg Comedy Writing for TV & Hollywood
Georges Polti Thirty-six Dramatic Situations
DAILY SCHEDULE:
Introduction; Storytelling
The Parts of a Play
Character (Assignment #1 Due - Adaptation)
Theme and Dramatic Action
The Five Senses of the Playwright
Language (Assignment #2 Due - Sensory Exercise: Environment)
Dialogue
Character Bios (Assignment #3 Due - Character )
The Effective Use of Setting
Contemporary Playwrights (Assignment #4 Due - Character in Setting)
Writing Monologues
Dialogue (Assignment #5 Due - Monologue Exercise)
Character and Dialogue
Creating Conflict (Assignment #6 Due - Conflict Scene)
Dramatic Tension
Group Work on Collaborative Play
(Assignment #7 - Rough Draft)
Play Readings (Assignment #8 Due - Collaborative Play)
Workshop on First Draft of One-Act
Readings of One Acts (Assignment #9 Due - Final Draft of One Act)
Evaluations
The above schedule and procedures in this course
are subject to change in the event of extenuating circumstances