Link to What's New ThisWeek Conceptual Links for Focussing Your Work

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Conceptual Linking

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California State University, Dominguez Hills
University of Wisconsin, Parkside
Soka University Japan - Transcend Art and Peace
Created: June 21, 1999
Latest update: Seember 5, 2003

E-Mail Icon jeannecurran@habermas.org
takata@uwp.edu

Index of Topics on Site Conceptual Links for Focussing Your Work Introduction to Using This Page of Conceptual Links

Toward a Holistic Biology
Prof. Bruce K. Kirchoff's site, drawing connections between art
and biology. Cross-disciplinary example. Link added June 21, 1999.

Using Comments and Feedback in Your Work



Connecting Your Knowing Back to Class Focus



This page is designed to make you aware of the concepts that matter greatly to me as your teacher. The university expects me to use my best professional judgment in selecting that portion of knowledge we will cover in this class. I am open to the inclusion of other concepts, and certainly of other perspectives. But those covered here provide us with a common ground for discussion and analysis. Be careful to link your work and your class contributions back to the class focus by using these concepts, by showing how they fit or do not fit with your view of the world. No view has special privilege in the classroom. All views should be given a forum.

This page is new. The idea of providing you with links to help you focus is just aborning. Notice that it transfers from the idea of links on the Web. Interdependence. Isn't that neat? Where this approach doesn't help, let me know. Where it does, let me know. We'll keep the best parts and revise the rest.

Objectives for this Linking Page

  1. To provide a reference list of the concepts that matter to me, and hence to class focus.

    One of the objectives of a university course is to provide you with a database of knowledge, concepts you should recognize, understand, and be able to discuss. This is a little like knowing what the answers are for Trivial Pursuit.

  2. To provide class discussions and interactions that help you translate these concepts into your personal experience and thoughts.

  3. To practice recognizing and respecting different perspectives.

    I expect you to learn where reason ends and value judgments begin. Learn to recognize that there are many perspectives on value that go beyond what we have been fond of calling the "core" values we all share, our common humanity, and which no one has ever successfully gotten us to agree upon. This is one the many points of contention between modernists, who believe such values can be discovered, and postmodernists, who believe that our efforts would be spent more productively in learning to tolerate the ambiguity of many perspectives.

    I also expect you to learn that decisions are not always "rational." Affect and ethics count, too. People may have perfectly good cognitive reasons for choosing a given path, and yet do just the opposite. Why? Who knows? But I expect you to take such patterns into account, especially in topics that relate to criminal justice.

  4. To practice recognizing the "laying on of alternatives" when it occurs.

    When we pass on knowledge or spiritual understanding, we often include the ritual of "laying on of hands" to symbolize the actual passing of that knowledge and understanding. People who wish to help other people, and that includes lots of us in sociology and psychology, tend to unconsciously adapt that ritual to helping. They see many alternatives, say to suicide. They are convinced that they can somehow "lay those alternatives" on the desperate one, and that somehow the problems will disappear and all will live happily ever after.

    One reason for the emphasis I place on narrative and on the respect for multiple perspectives is to make us aware that our alternatives may not be alternatives for the other. If I have just lost my job, I may go out and distribute a thousand resumes, do seventy three interviews, and know that with each I come closer to my new job. When I offer this plan to an Other, and the Other refuses, that does not seem rational. Nor is it. It's a good plan. It would work in some contexts, in some stories. But this Other is caught in a different story, a different narrative, in which my wonderful plan simply doesn't fit. Only by listening for the Other's story, by accepting that alternatives are contextual to a given story, and by seeking alternatives that might fit the different context can I help the Other.