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Young Woman Looking Down
by Peter Paul Rubens
From New York Times article.
Gabinetto Disegni e Stampe degli Uffizi, Florence.
Young Woman Looking Down (Study for the Head of St. Apollonia). (1628)
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California State University, Dominguez Hills
University of Wisconsin, Parkside
Created: January 8, 2005
Latest Update: January 16, 2005
jeannecurran@habermas.org
takata@uwp.edu
Topic of the Week:
Transcendence
As I struggled through several texts on religion, morality, and spirituality for the Project on Religion as a Present Social Issue, trying to get lectures and readings up for the start of Spring semester, The New York Times published this mesmerizing drawing of a young woman. This drawing, on exhibit at the Metropolitan Museum of Art in a Rubens exhibition that opened today, January 14, 2005.Michael Kimmelman's description of the drawing in his opening paragraph of the review of the show says so much:
" YOUNG, ethereal-looking beauty, big-eyed, rosy-cheeked, gazes down and off to the side, lost in thought, one hand to her breast. Her frizzy hair is a tangle of black and red chalk, a halo. White highlights pick out the light on her cheekbones and chin and around her mouth. The artist understands the nuance of skin as it stretches over bone, knows how to make flesh look silken and breathe."The artist is Peter Paul Rubens, and the drawing is in the Rubens show opening this afternoon at the Metropolitan Museum."
At p. B 33.If I'd had a choice, I should have liked to be able to draw like that. I'd like to be able to capture such a gaze into the privacy of her own loves or of the nirvana of transcendence. I gaze at her, and know that life is beautiful; life is more than science and bureaucracy and greed. And I'm sorry that we have failed to encourage each of us to pick up chalk and paper and ink and record those special moments, albeit without the gift of a Rubens to capture "the nuance of skin as it stretches over bone, knows how to make flesh look silken and breathe."
Last week we spoke of photography and the multple perspectives it gives of truth. The photographer controls the perspective seen as she points the camera and chooses the focus and the frame The artist likewise controls the perspective, but may also bring skills for depicting beneath the superficial to what the camera cannot see on the surface, from any perspective. Portraits, especially, lend themselves, as in this Rubens drawing, to capturing the inner truth, that which cannot be seen, that which may be soul, or even just an idle moment of tranquility.
With visual sociology, I hoped that we would bring our students back into the world of making art, with cameras, with paint, with chalk and pen and paper, with structures, with found objects. For that, we need no permission from human subjects boards. We're not relating to people as subjects, but as people. This semester, we'll need to think on that. At what point does a person with whom we are having an illocutionary discourse become a "subject?" At what point do the people in an assisted living home we're trying to understand and include in our discourse become "demented" subjects to whom we must give tests for dementia? At what point "should" our work become "experiment" and not "practice?" And why are we teaching so much more "experiment" in our schools than "practice?"
Now, Rubens' young woman reflects this space I'm in. The questions are flooding over me. I'm not even sure they're the right questions. Why am I the one who keeps asking them, while so many others keep asking questions that seem irrelevant to me? And I look at Rubens' drawing, and all I can tell you is: That's what this wondering, this not fitting in, feels like.
I want you to know that Rubens' drawing was a part of what helped me to express this anomic anxiety about somehow not fitting, not being in step with the dominant discourse. And so, for me, this drawing represented the whole need I feel to transform dominant discourse so that I can be included in our governanace discourse. That's a pretty powerful drawing. jeanne
This essay can be accessed also at Transcendence.
Current Discussion Topics:
Jeanne and Pat are planning to be at school on Thursday, January 20, 2005.
The First International Congress of Qualitative Inquiry will take place at the University of Illinois, Urbana-Champaign, from May 5-7, 2005. "Due to the growing interest in new conference panels and increasing volume of requests for submission deadline extension, the deadline for submissions of open-panel session proposals and all papers to the First International Congress of Qualitative Inquiry is now extended to January 15, 2005." Suggested conference topics are suggested. I would like to go, but don't know if I'll have the time. jeanne Sorry, I missed the deadline. jeanne
Learning Records: Grades online on ToroWeb.
You may continue to correct or send materials that you would like included with your learning record. With 300 students I know I missed some messages and some activities that we should include. 9 students have already contacted me for corrections. I'll get those done as soon as school opens on January 3, 2004. When I listed a grade less than In A on the learning records, I also said "until you contact me with evidence of learning." When I gave an F, it was simply that I couldn't find any record of contact. Doesn't mean I don't have one. Just couldn't find it. jeanne
Ideas for the Spring 2005 Naked Space Exhibit:
Notice how the photograph captures meaning the eye cannot detect from the objects alone, but from their juxtaposition. Note also that you cannot read the photo as the artist intended without the title "Best Things." You could create a similar effectreadily with collage. And you could draw over the collage. As you consider going beyond simple painting or stick figures for the Spring exhibit, consider the importance of the juxtaposition of objects. We don't have to be literal. Allow the viewer to bring some creativity to the exibit also.
I've been thinking about this. I'd really like to see us do an section for the exhibit on famous black artists. Lots of people don't learn about them in school and don't know about them. Jacob Lawrence, Romare Bearden, Horace Pippin, James Vandersee, Henry Ossawa Tanner, and many, many others. If each of you would take on one painter, we could put up a nice exhibit that could maybe be kept in the sociology office, so students could become familiar with the work.

See also The Columbia Chronicle Online


This self portrait of Leslie's recalled for me Jenny Saville's Strategy 1964:

What do portraits say to you? Were these portraits meant to be flattering "pictures" of the subjects? If not, what are they meant to say, to make you feel? There are no right answers. Jenny Saville has said that her intent was not to plead for feminism and freedom for the body beautiful. This all brings us to the issue of the body in the 21st Century.
You know, the end of school was so hectic we didn't get to try this. Dashaun's Respect Project was so successful on an outside table, we could do something like that this Spring with the social issue of families. We could even make cards to pass out with an Internet address where people could get more information.
Jeanne's Lectures During Winter Break, 2004
Academic Support
A Range of Sources on Global Events
Left/Right Perspectives - Cursor - New York Times - The National Review
Arts and Letters Daily - The Economist - The Sierra Club - The Guardian
Wall Street Journal - The Weekly Standard - The Nation
BBC NEWS | Americas - truthout
Los Angeles Times - Chicago Tribune - La Opinion - The Washington Post
Cursor's Al Jazeera Archive - Ha'aretz - Palestine Monitor - Palestine ReportIndymedia - Mother Jones - BBC News - New Profile - KPFK Progressive Radio
Progressive Sociologists Network Environmental Working Group
Mentoring
- Mentoring Help for New Students with Frequently Asked Questions
- Mentoring Help for Returning Students with More Frequently Asked Questions
- Shared Reading Suggestions
Preparing for Graduate Study:
- Test Prep Preview Joshua L. Stewart, recommended this site because it has free practice tests. If you're thinking of taking the GRE, the LAST, or any other graduate entry test, this might be a good place to gather some early information. Joshua suggested it for Praxis Practice, but a quick first look suggests they don't mean by praxis what we do. Check it out, anyway, if you have some spare time. jeanne
Resource Literacy
- Plagiarism Watch www.streetgangs.com site. The intelligent and effective use of resources means that you have to be careful not to plagiarize other people's material. We have several files on plagiarism, but I think the one that might make the most sense to you is this complaint on streetgangs.com. They give you samples of sites that have taken their material without citation, even at colleges, and they also give you examples of sites that have used their material with proper attribution. I find the irony poetic, and hope that their message will get through to you the importance of attribution. Dr. O'Connor on his Mega Criminal Justice site led me to streetgangs.com and noted that others frequently hack into the site. For that reason I have created a backup copy for your use in case you cannot access the actual site. Please be sure to attribute any citation to streetgangs.com. jeanne Backup.
Shared Reading Suggestions, many with templates already filled in.
Using Academic Language Effectively
| Merriam-Webster Dictionary Search: |
Henry Ossawa Tanner American, 1859-1937. Art Institute of Chicago.
The Two Disciples at the Tomb, c. 1905
Henry Ossawa TannerMany of us have come to think immediately of black artists like Jacob Lawrence and Romare Bearden as working in a modern style with bright colors and collage shapes. But there were black artists, like Henry Ossawa Tanner, who left America to live in Paris, free of the racism that refused to recognize his talent. This painting of the Two Disciples at the Tomb, in the Art Institute at Chicago, is a fine example of the seriousness and competence of artists who as minorities were excluded from fine art circles. Read the essay.
Flying Dog is also a painting by Zhang Kai. Best I've every come across to illustrate our site with magic numbers and unicorns and whipped cream cats and now, flying dogs:
Flying Good Dogs: Whenever something happens in class that works out well, that inspires you, that helps in studying, whatever, take a few minutes to send us an e-mail. We'll post it where all of us can learn from it, including other teachers.
You can also send an email to the Who to Take Site:
Sneaky Strokes and Flying Good Dogs

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