| Art Without Borders:
Gilah Hirsch Builds Bridge of Friendship to Slovakia
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Music
and culture are for... communication,
for love and for peace. |
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| - Stano
Cerny, artist |
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When professor of art Gilah
Hirsch participated
in an international art symposium and exhibited
her work in Slovakia and Poland last semester, she
brought home the ultimate souvenir of her travels:
A friendship with two artists who were her hosts
in Bratislava, Slovakia.
In February, she returned the favor
to graphic artist Ingrid Bezakova and painter
Stano Cerny, who visited the United States for the
first time and spoke to Hirsch and
Michelle Allen’s (assistant
professor of visual arts) students about contemporary
art and graphic design in Eastern Europe on Feb. 15.
As the founders of Orpheus Graphic Design, the pair
has been part of the movement to define their country’s
aesthetic since the fall of communist rule.
“Before the fall of communism, graphic design
was very limited,” says Bezakova. “The
products all had to be and look the same, and there
was no competition. Now, they have to differentiate
between products.”
With the influx of information
from the outside and the arrival of the Internet,
doors opened to creativity and the challenge of marketing
goods and services to a public that never had to
make choices before. Fine art before the fall of
communism was also equally nondescript. According
to Cerny, “In the 1960s,
when we were occupied, it was all about conceptual
art, it was expressionless, and it was presented underground
in private exhibitions.”
Cerny, who produced his portfolio
in the form of the first interactive multimedia CD-ROM
in Slovakia in 1994, presented examples of his work
to the assembled students, which was accompanied
by his own flamenco guitar. Bezakova, who is a jazz
singer, points out the serendipity of a cross-cultural
appreciation of the arts, in saying that “You
don’t
need the same language.”
“There’s a big blues
festival in Bratislava,” notes Hirsch. “Even
though they’re singing in Slovak and sometimes
in English, you’d swear you were hearing
B.B. King. Jazz is very big in Europe, and they
say, the arts have no borders. We all have the same
heart, so we are affected in the same way.”
Consul General of the Slovak
Republic František
Hudák and his wife Dana Hudákova, also
visited CSUDH that day. He points out that an exchange
of ideas and cultures did not come to a halt during
the communist regime, saying that, “Slovakia
is a small country with a long history. Maybe they
didn’t have a lot of opportunities because the
borders were closed, but it doesn’t mean that
everything was dark. Compared to the United States,
Europe is very small, so the distances are very short.
Vienna and Bratislava are only 30 miles apart, so it
is a small region that is very rich in culture, not
just in our country, but in neighboring countries.
That may be why the culture survives.”
Hirsch experienced the depth
of the Slovakian people’s
ties to not just art, but their own culture, which
is encouraged to flourish in an era of globalization
and homogenization.
“In Bratislava, you can walk past the house
where Mozart lived, where Chopin lived, where Béla
Bartók lived,” she recalls. “You’re
steeped in this cultural history, it’s in the
air. The children are given classical music and literary
education from a very young age, and a profound education
in their cultural heritage. Everyone learns to play
an instrument, and they learn the literature and the
poetry of their country.
“When people get together,
they spend an evening at home, singing, playing
music, and reciting poetry. They will choose that,
rather than to go out and be entertained somewhere
else.”
While Bezakova and Cerny look
forward to expanding their graphic design business
and their art, they expressed their wish to experience
and learn from other cultures. Cerny describes art
as an opportunity for “expression
and connecting with other people and civilizations.
“Like Gilah says, it’s
for making peace. Music and culture are for that,
for communication, for love and for peace.”
Hirsch's art is currently shown
in the “Makor/Source” exhibit at USC Hillel,
3300 S. Hoover St., (213) 747-9135, and at UCLA
Hillel, 574 Hilgard Ave.,
(310) 208-3081.
Both exhibits run through March 3. For more information,
click
here.
For a look at the art of Stano Cerny,
click
here.
For more
information on Gilah Hirsch,
visit http://www.gilah.com.
-Joanie Harmon
Photo above (L-R): František
Hudák, Consul
General of the Slovak Republic; Garry
Hart, interim dean,
College of Liberal Arts (CLA); Dana Hudákova;
Carol Tubbs, acting
associate dean, CLA;
Ingrid Bezakova,
graphic artist; Stano Cerny, painter and computer artist;
and Gilah
Hirsch, professor
of art.
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