| “Brokeback
Mountain”: CSUDH Shares
Screenwriter and producer Diana
Ossana appeared at Claudia Hampton Lecture Hall on
the CSU Dominguez Hills campus on Friday, March
3, before winning an Oscar with co-screenwriter
Larry McMurtry the following Sunday at the 78th
Annual Academy Awards in Hollywood. Her talk, “Is the Success of ‘Brokeback Mountain’ a
Sign of the Times?” described the team’s
challenges of bringing their adaptation of Annie Proulx’s
short story to the screen.
“The reason I did this was for people to see
the movie,” says Ossana, after being greeted
by a large audience of students, faculty, staff, and
members of the community, who came from as far as San
Diego to see her. “Coming here was such a nice
respite from the Oscar vortex that you get sucked into.
This is real, to me, this is real. I had a great time.”
The CSUDH community
expressed its appreciation to Ossana and to Dateline for
Ossana and McMurtry's efforts in bringing to life what
many feel is a groundbreaking film.
My hope is that it would bring
a great deal of understanding. Being on the cynical
side, I think people who are entrenched in homophobia,
the people who really need to see it, probably won’t. But I would hope it would at
least break that wall. We heard today that it is kind
of an “Ah-ha,” that gay people are capable
of genuine love. This understanding will perhaps engender
respect for that type of relationship.
Lindie Banks, member, Omnilore
Learning in Retirement Program, College of Extended
Education
It will show that not only
straight people can hurt and love. We’re the same people, just because
we have a different sexual orientation doesn’t
mean anything.
Jesus Barboza, freshman (History)
It will bring more attention
to those issues because of the fact that we are all
constructed to have passion and to be able to show
some form of affection. You can identify what that
emotional state is, no matter who is the object of
that affection. People who look at a movie like this
with a degree of sympathy and without bias, will
realize that it is possible for men to have affection
and appreciation for each other. That’s one
step in helping out the situation of what appears
to be a lack of insight into the gay community and
what men in that community typically feel for each
other.
Douglas Borcoman, instructional
design specialist, College of Health
and
Human Services
It’s a really important film, to display not
so much the stereotypical point of view of the queer
community. It’s exciting to see movies like this
out there. But I also think it could also be a double-edged
sword, it could bring a lot of negative attention to
our community and as it is, we have a lot of stigmas
and discrimination to deal with. But it’s a good
step forward.
Carolina Couto, senior (Psychology/Philosophy)
It gives a lot of insight into
the lives of people who maybe the general public
hasn’t thought about
before, gay men who have to hide themselves and don’t
feel free to express their feelings. I hope that gives
people something to think about, I think it will.
Jeff Hanna, San Diego
This is an eye-opener for everyone,
so that they can see that there are people who hurt
like them, and that it doesn’t just happen in heterosexual relationships.
Maybe they can’t perceive it in real life, but
this is an easier way for them to be able to see it,
on the screen.
Lizet Hernandez, sophomore (Liberal
Studies)
The film has brought a great
deal of exposure to the issue. There are a lot more
people who have had to look at how the way the stereotype
has been broken by the fact that it’s cowboys in the movie. It’s
made it’s impact by exposing the issue and it’s
likely to spawn some other kinds of artistic expressions
that will broaden the discussion. These things don’t
change in one generation, obviously, it’s going
to take several generations before homophobia is dealt
with in a positive way.
Gary Levine, associate vice
president, Academic and Community Partnership
Everyone is talking about it,
everyone knows about it. I still think that the people
who need to watch it won’t watch it. I was thinking earlier that
we’re living in a generation where gay rights
are expanding. Twenty years from now, we’re going
to look back like we do now on the 1960s and 1970s
and the problems they had.
Ravi Patel, senior (Graphic
Design)
Anytime you can take a stereotype and make it a real
person, you can get more empathy. People react differently
to individuals than they do to groups.
John L. Pierce, graphic designer,
University Communications and Public Affairs
When a person yells, no one
really listens. Those other films are doing a lot
of yelling, a lot of preaching. "Brokeback" doesn’t
do that, it whispers to you. It shows the whole world
that gay men do love and hurt. It is a myth, even in
the gay community, that we don’t. We’re
forever hearing, “You’re gay, why aren’t
you sleeping around?” That was something that
was done in the 1970s and 1980s and really done out
of shock value. What I loved about “Brokeback” is
that it said that men, especially gay men, were not
like that at all. The movie doesn’t preach to
you, you wind up preaching to yourself.
Johnny Pujols, Los Angeles
Just going around in everyday life with people knowing
that I am gay, and for them to openly ask questions
that they would not have otherwise attempted, is because
of the crossing-over of this film. I believe the substance
of the work will speak volumes and carry through years
from now.
Tomas Tamayo, assistant professor
of dance
From the historical perspective,
the movie will open up dialogue for people to be
able to discuss these issues. Homophobia is still
around. The Christian right is trying to take away
the rights of gay people and gay marriage. It’s
a very timely movie.
Joseph Yellin, senior (Psychology)
Photos above: Students, faculty, staff
and the community gathered in Claudia Hampton Lecture
Hall to hear Oscar-nominee Diana Ossana tell the story
behind bringing "Brokeback Mountain" to the screen.
Tomas Tamayo, assistant
professor of dance, presents Ossana with a commendation from
CSU Dominguez Hills and a gift of appreciation.
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